By Canisia Lubrin
The Delegate Programme is an opportunity for local authors and journalists to enrich the level of discussion at select events throughout the International Festival of Authors. Canisia Lubrin—author of Voodoo Hypothesis and contributor to The Unpublished City—wrote about her experience as an IFOA 2017 delegate and for her, poetry and the Festival’s Canadian-ness left a lasting impression.
There is a sort of despairing desire that takes its cue from ecstasy. When I first participated in IFOA back in 2014, as one of what seemed like a legion of emerging writers to read in a pilot event called Brave New Word, I did not know by which vein I’d entered that storied, yet abstract character of being a writer—even momentarily, one that had been prescribed or is upheld as such, yet still a thing I regarded without that wild absolute geometry of the author.
I hardly had a moment to pause with any sufficient reverie towards the experience and its meaning. How the years churn out their consequence I will not speculate on now. What sees me as an IFOA delegate for the 38th edition of the Festival is a kind of elaborate dream, one that got wrapped into air when a certain clarity is found in that modulated appeal of event after ecstatic event, and here I was: in the throes of something now familiar, yet unexpected—something oddly warped in a strangeness prone to amnesia.