Five Questions with Spencer Gordon

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We asked Spencer Gordon five questions about what inspired Cruise Missile Liberals and what he’s been reading. Gordon’s new book of poetry will be launched through Toronto Lit Up on Thursday, November 9th and it’s free to attend!

IFOA: Cruise Missile Liberals has been described as turning exhaustion and “the rant” into art. What led to the creation of the collection? What was the spark?

Spencer Gordon: Ian Williams supplied that original quotation, by the way! All hail Ian.

Since this is a first collection, the spark must be traced back to my earliest, most disturbing doodles and incoherent attempts at communication—all as a fancy little boy who just wanted a dang treat! But the literal spark for this book, this physical artifact you’re obviously holding in your hands, caressing, was Amber McMillan, who works for Nightwood Editions, and who asked me if I had a full-length manuscript. To my shock, I did.

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Through smoke

By Ayesha Chatterjee

from bottles and bones by ayesha chatterjee

People often ask me if my new collection, Bottles and Bones, has a theme running through it, and I was surprised the first time I found myself saying that it does. I usually have the attention span of a fruit fly and can’t stick to a topic for longer than three poems (if you read my poems, you’ll see how very short they generally are, so that should give you an indication). But a few years ago, I stumbled across a term used in perfumery, fougère, which is a class of fragrances and is also French for ‘fern’. Think Drakkar Noir or Brut. Think oakmoss (a species of lichen. It’s all right, I had to look it up too) and sharp and spicy. But also soundless and green and soft and new. I was hooked.

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5 Questions with Diana Biacora

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We asked Diana Biacora five questions about writing as we gear up for the launch of The Unpublished City collection on June 22.

IFOA: Where do you draw inspiration from?

Diana Biacora: I draw inspiration from anything that sparks my interest from real life.

From everything I see, touch, taste, smell and hear.

I particularly enjoy drawing inspiration from my travels, and the observations and experiences I’ve had in other parts of the world. Experiences that are new, foreign and unfamiliar.

IFOA: What’s the story that you have to write no matter what (at some point in your life)?

Biacora: I think we all have several stories that we have to write at different stages in our lives. Sometimes the stories come out immediately, other times it’s years after. No matter what, they are always there. It’s a matter of timing, listening to ourselves and being open.

The story that I have to write right now is about two childhood friends.

IFOA: Where do you write? Is there a specific place you do your writing?

Biacora: I have a room with a desk and a big window with lots of plants. Sometimes I write in coffee shops, in public libraries and my backyard.

IFOA: If you could ask your favourite author a question, what would it be?

Biacora: I’m always interested in the process and the different ways in which all artists conceptualize their ideas into something physical and concrete such as a novel, a poem, a play, or a painting. I’m fascinated by different approaches and practices for my own growth and learning as an artist.

IFOA: What are you writing now?

Biacora: I’m writing a piece that will hopefully turn into a novel. It’s about the childhood friendship between two girls.


Diana Biacora. Author. The Unpublished City. BookThug. IFOA. Diana Biacora is a first year MFA student in the University of Guelph’s Creative Writing program. She writes fiction and non-fiction. She lives and writes in Toronto.

Biacora is one of the authors featured in The Unpublished City: a collection of works by Toronto’s emerging literary talents. IFOA and BookThug invite you to the collection’s release on June 22 at 7:30 PM as part of the Toronto Lit Up book launch series.

For more information, click here!

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