By Brian Francis
On November 1, as part of the IFOA Delegate programme, I attended a roundtable discussion about the importance of book setting. The panel featured writer David Bergen (Leaving Tomorrow), Richard Wagamese (Medicine Walk), Christos Tsiolkas (Barracuda) and was moderated by Lewis DeSoto (The Restoration Artist).
One mistake that aspiring authors sometimes make is not paying close enough attention to the setting of their stories. But an evocative setting is crucial to a story’s success. After all, if you can’t create a believable world that your characters inhabit, how will readers believe in those characters?
Setting can play such an important role in your story that it can even become, as Lewis DeSoto pointed out, an extension of a character. Setting can even be a character, providing the obstacle your characters need to overcome. Think blizzards, jungles and shopping malls during holiday season.
But setting is more than the physical location. As David Bergen pointed out, setting is also how people speak, how they talk, the cars they drive. Often, it’s not about the physical setting but its nuances that contribute to creating a believable backdrop for your readers.
When it comes to researching your setting, the panel agreed that while Google comes it handy, it doesn’t provide the sensory details you need in order to truly capture your setting. You, as the writer, need to experience your setting—the smells, the landscape, its inhabitants—if you want to create a believable place that will captivate the imaginations of your readers.
Brian Francis’ most recent novel, Natural Order, was selected by the Toronto Star, Kobo and Georgia Straight as a Best Book of 2011. His first novel, Fruit, was a 2009 Canada Reads finalist. Francis is also an IFOA Delegate.