Kevin Hardcastle discusses subverting the idea of poor communities in his work and what (and who) influences him in our Five Questions series. Hardcastle will be participating in IFOA Weekly’s ‘What’s Life Got To Do With It?’ panel discussion on Wednesday, March 7th at 7:30 pm.
IFOA: You’ve written short stories in the past. What was it like completing your first novel and then having that published?
Kevin Hardcastle: It happened kind of backwards, because I’d actually written the novel before most of the stories that I published, those that ended up in my collection, Debris. I kept rewriting and working on the novel while I was improving my skills with my short story work, and eventually got it to where it is now. In those rewrites, I tried to use all of the tools I’d sharpened while writing short fiction, and bring them to bear on the novel.
There is a difference in the way that novels are received though, and the attention they’re likely to get, and I’ve noticed that as I’ve gone through the process. It’s not on the NYT bestseller list, by any means, but the reach of a novel is plainly longer, for the most part. And, as a result, the work you have to do to support the book is much more involved.