By Corina Milic
The night started with a few bad jokes and ended with a debate on human nature (consensus: good, though invariably more time was spent talking about the evil).
The Lakeside Terrace was packed for a joint reading and interview with Cory Doctorow (The Rapture of the Nerds) and China Miéville (Embassytown). The SPACE channel’s Mark Askwith hosted.
The authors are similar in some essential ways: both live in London, and both approach science fiction quite politically.
Doctorow read from his new novel Pirate Cinema and reminisced about growing up in Toronto: “I played Dungeons and Dragons here [Harbourfront Centre] on alternating Saturdays for most of the 1980s.” He credits the city, with sci-fi institutions like Bakka Phoenix book store and the Judith Merril Library, for his pursuit of genre fiction.
Miéville, who treated fans to an unpublished short story reading, said that he simply never grew out of his fantastical childhood imagination. “As a writer I can sustain almost nothing that doesn’t have a fantastic element.”
To say the conversation was far reaching is an understatement. The authors talked about everything from copyright laws (Doctorow’s activism centres largely around the issue) to blog anxiety to waterboarding to Hurrican Katrina and Cormac McCarthy. They even threw in a requisite trekkie reference.
It is impossible to synthesize Doctorow’s jaw-dropping on-the-spot metaphors or Miéville’s eloquent arguments (both full of rather large words this blogger was ill-equipped to successfully transcribe). Instead, here are some of the highlights:
Miéville, on structuring his novels: “My books are very planned, in part because I’m very neurotic. The idea of starting a book without knowing where you’re going, oooo, hives!”
Doctorow, on good writing advice: “’Write everyday’ crops up as writing advice all the time. What was revelatory to me was that when I did this, writing every day, I saw in hindsight that the days I felt the words were good and the days I thought they were bad were actually indistinguishable.”
Doctorow, on why he blogs his daily writing: “If I don’t put [the words] out for public consumption, I cheat myself. I won’t do it.”
Miéville, on the relationship between his politics and his writing: “I have been an active socialist since I was 18. I see the world politically, but I also see the world as a D and D* geek. Anything I write involves political issues. It’s not like separate boxes in my head.”
Miéville, on the idea of crisis: “In a very banal way crisis is aesthetically interesting, but it’s not an aesthetic indulgence. Things really are fucked. I’m not a pessimist. One of the great blunders is [believing] that people are horrible.”
Doctorow, on writing young adult novels: “YA protagonists do a very brave thing all the time. They do a lot of things for the first time without knowing how these things will change them. It makes them really exciting to write about.”
Miéville, on writing young adult novels: “What he said.”
*Dungeons and Dragons