Page and Flesh

By David Bradford

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The Delegate Programme is an opportunity for local authors and journalists to enrich the level of discussion at select events throughout the International Festival of Authors. David Bradford—author of Call Out and contributor to The Unpublished City—wrote about his experience as an IFOA 2017 delegate and for him, it turned the reader-writer relationship into a tangible experience.


“Every time I failed at something,” Eileen Myles told the Brigantine Room audience over Skype, “I could write.” It’s an old, truthful thing Andre Alexis and Kia Corthron seemed to recognize, one which I know well from my better nights, as well as my worst ones.

In a room full of honest-to-God readers, though, I found myself wondering how well they may have recognized Myles’s sentiment for themselves. I wondered how they might connect it with their own failures, and their own reach for that personal thing that wouldn’t let them down—how often that something might have been in the words of others. It reminded me that we writers all started, and hopefully remain first and foremost, readers. That often what we write begins with something we read—out of an impulse to look in a book for something we’ve failed to find elsewhere.

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Attention to Detail: The Art of Research

By Alexandra Grigorescu

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The Delegate Programme is an opportunity for local authors and journalists to enrich the level of discussion at select events throughout the International Festival of Authors. Alexandra Grigorescu—author of Cauchemar—wrote about her experience as an IFOA 2017 delegate and for her, a panel on research caught her attention.


I’ve been attending the International Festival of Authors for years. First, as a student enamoured with the writing life, then as a writer looking for pointers, then as a giddy participant, and now as a delegate. I played against my genre-loving type and chose a disparate set of panels: Keep It Short, The Lives of Underdogs, and Writing an Informed Story. Of these, the last one resonated most with me.

Deborah Dundas’ thoughtful questions took the audience behind the scenes of three distinct worlds and the facts that grounded their authors’ flights of fancy. What inspired me most was the way these three writers—Helen Humphreys, Claire Cameron and Roberta Rich—all began with a germ of an idea.

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Poetry and Canadiana

By Canisia Lubrin

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The Delegate Programme is an opportunity for local authors and journalists to enrich the level of discussion at select events throughout the International Festival of Authors. Canisia Lubrin—author of Voodoo Hypothesis and contributor to The Unpublished City—wrote about her experience as an IFOA 2017 delegate and for her, poetry and the Festival’s Canadian-ness left a lasting impression.


There is a sort of despairing desire that takes its cue from ecstasy. When I first participated in IFOA back in 2014, as one of what seemed like a legion of emerging writers to read in a pilot event called Brave New Word, I did not know by which vein I’d entered that storied, yet abstract character of being a writer—even momentarily, one that had been prescribed or is upheld as such, yet still a thing I regarded without that wild absolute geometry of the author.

I hardly had a moment to pause with any sufficient reverie towards the experience and its meaning. How the years churn out their consequence I will not speculate on now. What sees me as an IFOA delegate for the 38th edition of the Festival is a kind of elaborate dream, one that got wrapped into air when a certain clarity is found in that modulated appeal of event after ecstatic event, and here I was: in the throes of something now familiar, yet unexpected—something oddly warped in a strangeness prone to amnesia.

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“Serious” Authors Can Be Funny Too

By Emily Saso

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The Delegate Programme is an opportunity for local authors and journalists to enrich the level of discussion at select events throughout the International Festival of Authors. Emily Saso—author of The Weather Inside—wrote about her experience as an IFOA 2017 delegate and for her, she found hilarity even in the most serious panels.


I expected many things from this year’s International Festival of Authors: intellectual debates, empathetic insights, writing tips, and the chance to meet my favourite authors. What I didn’t expect, however, was comedy.

As a delegate at IFOA 2017, I was lucky enough to attend seven panels. At none of them was humour explicitly on the table. In fact, one event was actually called—wait for it—Futile Fates. Throughout the festival, the writers before me included literary icons, horror masters and articulate historians. Humorists? No. However, at each panel, I spent half of the time in stitches.

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A Writing Community

by: Amy Jones

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The Delegate Programme is an opportunity for local authors and journalists to enrich the level of discussion at select events throughout the International Festival of Authors. Amy Jones—author of We Are All in This Together—wrote about her experience as an IFOA 2017 delegate and for her, the Festival became a community for writers.


In the six years I lived in Thunder Bay, I never missed a Lit on Tour event that came to town. Every year, it was the event I looked forward to the most—the chance to see writers I admired, to meet up with other book lovers, to attend master classes taught by CanLit superstars, to talk about writing and reading and all things literary.

When November rolled around, we all bundled up and headed out to the Prince Arthur Hotel or the Airlane or the Thunder Bay Art Gallery to see Jane Urqhart, or Ania Szado, or Alexander MacLeod, or Michael Winter. It felt like we had a community; it felt like we were part of something. And for myself at the time, an aspiring writer living in a city that seemed worlds away from the rest of the writing world, that meant everything.

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