5 Questions with Simone Dalton

As part of Kuumba 2018, the IFOA is proud to host a free thought-provoking discussion with authors Simone Dalton, Rinaldo Walcott and Whitney French on February 7 at Harbourfront Centre. David Bradford will host the talk about authorship, opportunities and impediments to success in the book industry. In 2017, during the release of The Unpublished City, Simone Dalton answered five questions about writing. Find out more about the author below.

Simone Dalton. Author. The Unpublished City. BookThug. IFOA.IFOA: Why do you write?

Simone Dalton: I always feel somewhat exposed when I’m asked to answer questions like this one. Not because I don’t think the “why” is important—I believe there is power in pinpointing your passion for, or the impetus to do what ever the thing is that you do—but I cannot say in the definite terms that I often hear other writers express that I was born to write, or I’ve been writing my whole life and have the journals to prove it.

I do have journals, but not one of them is complete. I will say this: I’m passionate about people and the stories that they want to share or the ones that they unknowingly unravel as they move through life.

The oral tradition of storytelling has also been a cornerstone in my life. I come from an extended family of storytellers and theatre performers. One of whom is Trinidadian-Grenadian poet and short story writer, Paul Keens-Douglas.

His poems were the first I ever memorized and performed as monologues. My mother’s sister, Gloria Keens-Douglas, was an educator who wrote allegorical Caribbean folktales for all ages. And my mother made sure my appetite for books was satiated in my youth. These influences shaped who I became as a reader and have helped shape who I’m becoming as a writer.

IFOA: What are some of the themes that you explore in your writing? Why?

Dalton: Inherited histories or cultural inheritance within families is one of my theme obsessions at the moment. It’s about how we echo the lives that started before our own, how imprints from our parents are left within us, and what triggers those parts of ourselves to come forward.

I’m currently exploring my own inheritance from my once absentee father.

IFOA: What are some of the genres that you explore in your work?

Dalton: Creative non-fiction and fiction are two of the genres I currently explore in my work; however, I’m intrigued by writing for stage and screen. I sometimes dream of characters in words, but at times, those characters are sharper and more compelling as people beyond the two-dimensional page.

IFOA: Who is your favourite author, poet or writer?

Dalton: Three women stand out for me, Jamaica Kincaid, Edwidge Danticat and Toni Morrison, but I will tell you about the first author in my list and her book: Annie John. Before reading Annie John, I was starved for voices that sounded like my own—like the people in my life—which always sounds absurd to me since I was born and raised on an island not far from Kincaid’s.

It was the first “ah-ha” moment that gave an example of people like me who could write—and do so successfully—in the way that Kincaid did. It was also a powerful portrait of motherhood and one that I identified with immediately.

IFOA: What inspires you?

Dalton: The words of people who have fallen six or seven times and still got up to succeed on their eighth try.

As a writer, Simone Dalton is grappling with the chaos of her relatively new ‘wokeness’. She is learning how to bring this reality forth on the page as a student in the University of Guelph’s Creative Writing MFA program. Simone was born and raised in Trinidad and Tobago.

Dalton was featured in The Unpublished City: a collection of works by Toronto’s emerging literary talents. She participated in the book’s launch event held on June 22, 2017 as part of the Toronto Lit Up book launch series, and presented by IFOA and BookThug.

Dalton will next appear on the IFOA stage as a panellist on February 7, 2018 as the IFOA celebrates Black History Month. For event information visit here.

5 Questions with Nicole Chin

We asked Nicole Chin five questions about writing as we gear up for the launch of The Unpublished City collection on June 22.

Nicole Chin. Author. The Unpublished City. Shooting the Bitch. BookThug. IFOA. House of Anansi.IFOA: Where do you draw inspiration from?

Nicole Chin: Writing that completely takes me by surprise. I usually feel the most inspired to write when I’m reading something new that I really love and that’s just supremely special.

It can be poetry or prose, it doesn’t really matter, there’s just a magical kind of cosmic zap that happens when something grabs you.

IFOA: What’s the story that you have to write no matter what (at some point in your life)?

Chin: I’m not sure about that one. That’s a question I really have to think about. I’m not sure what story I have to write no matter what, but I do know that no matter what, in the near future, I want to write something that feels like an honest expression of myself where I don’t feel like I’m self-censoring in any way.

Sometimes my fears can be my biggest saboteur.

IFOA: Where do you write? Is there a specific place you do your writing?

Chin: I usually write on my couch, but in the last while, I’ve been writing a lot on my phone during my commutes on the train.

IFOA: If you could ask your favourite author a question, what would it be?

Chin: “What made you realize that writing is what you wanted to stick with for the rest of your life?” I really like hearing those kinds of stories, not necessarily from writers only, but from artists across the board. Stories like that are always so interesting and life-affirming. They make you feel like you’re not alone.

IFOA: What are you writing now?

Chin: I’m working on a novel. I realized I wasn’t writing the kind of thing that I love reading, so I made a change. I feel at home with my project now! It’s cozy but not too cozy.

Nicole Chin is the author of the House of Anansi Press Digital Short, Shooting the Bitch, which received the Mcllquham Foundation Prize for best original short story. Her work has appeared in Joyland Magazine, Room Magazine, The Puritan, Found Press and others. She has been long-listed for the House of Anansi Broken Social Scene Short Story Contest and was the recipient of the Helen Richards Campbell Memorial Award.

Chin is one of the authors featured in The Unpublished City: a collection of works by Toronto’s emerging literary talents. IFOA and BookThug invite you to the collection’s release on June 22 at 7:30 PM as part of the Toronto Lit Up book launch series.

For more information, click here!

Book Club Notes: March

book-club-notes-bannerFor the month of March we are delighted to welcome author Catherine Graham to lead our Book Club! She has invited us to read Lynn Crosbie’s Life Is About Losing Everything. Graham tells us why she chose this book.

“Loneliness has attached itself to me like suction cups. I do not know what to do.”

                                                                                                                                   —Lynn Crosbie

Loss was the catalyst that led me to the writing life. My mother died during my first year at McMaster University, my father, the autumn of my last. Having lived through loss, it’s a subject I know all too well and one I’m drawn to as a reader. I find books on loss comforting, not depressing. When I saw the title of Lynn Crosbie’s book, I knew I had to read it.


This book defies categorization. I admire its fierceness, emotional range, natural mix of poetry and prose and blend of biography and fantasy. It brings everything in, just like life. We eventually lose all we have, some of us earlier, some later, whether we like it or not. By confronting losses—examining them close up as Lynn does so beautifully in these short interconnected pieces—we can learn to survive them.

Voice drives the novel, not plot. Like poems in a poetry book each vignette works independently but becomes more as parts form a whole, a way of seeing, like mismatched scraps of fabric in a crazy quilt. Crosbie’s unconventionality, black humour, shifting tone and whimsicality create a world that’s raw and fresh, strong yet vulnerable. She sketches seven tumultuous years of her life in an unchronological manner and gives room for readers to move through each piece with their own thoughts and reflections.

Raunchy, dark, and oh so funny, Life Is About Losing Everything is packed with references I’m familiar with and places I’ve been to. I never know quite where her prose will take me. Each sentence is a fiery pleasure to read.


(c) Prosopon PhotographyCatherine Graham is the author of five poetry collections, including Her Red Hair Rises with the Wings of Insects, a finalist for the Raymond Souster Poetry Award and the CAA Poetry Award. She received an Excellence In Teaching Award at the University of Toronto School of Continuing Studies where she teaches creative writing. She was also the winner of Poetry NOW 2014. Her sixth poetry collection will appear in 2017 as will her first novel, Quarry.

17 Reasons to Join the 2017 Book Club


1. Meet local authors and interesting people who enjoy books as much as you do.

2. For Canada’s 150th we are spotlighting Canadian Literature.


3. Receive reading recommendations directly from authors.

4. Be introduced to books you may not otherwise read.


5. You can finally discuss character development, setting and plot twists to your heart’s content.

6. The monthly meetings will make you set time aside for reading.


7. Literary debates.

8. Sharpen your communication skills.


9. Learn more about Toronto’s literary community.

10. IFOA offers perks to their Book Club members.


11. Book clubs provide intellectual stimulation.

12. Good coffee!


13. Help authors get insight into the mind of readers.

14. Read at least one new book a month.


15. Stimulate your mind.

16. Stretch your outlook.


17. It’s a lot of fun!


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