by: Amy Jones
The Delegate Programme is an opportunity for local authors and journalists to enrich the level of discussion at select events throughout the International Festival of Authors. Amy Jones—author of We Are All in This Together—wrote about her experience as an IFOA 2017 delegate and for her, the Festival became a community for writers.
In the six years I lived in Thunder Bay, I never missed a Lit on Tour event that came to town. Every year, it was the event I looked forward to the most—the chance to see writers I admired, to meet up with other book lovers, to attend master classes taught by CanLit superstars, to talk about writing and reading and all things literary.
When November rolled around, we all bundled up and headed out to the Prince Arthur Hotel or the Airlane or the Thunder Bay Art Gallery to see Jane Urqhart, or Ania Szado, or Alexander MacLeod, or Michael Winter. It felt like we had a community; it felt like we were part of something. And for myself at the time, an aspiring writer living in a city that seemed worlds away from the rest of the writing world, that meant everything.
We asked Becky Masterman five questions (and a bonus!) about what inspired A Twist of the Knife, how she got into writing crime novels, and how she approaches suspense. Masterman will be at an IFOA Weekly event with Emma Dibdin on Wednesday, November 15th. Andrew Pyper, Author of The Demonologist, will moderate the conversation.
IFOA: What inspired the story for A Twist of the Knife?
Becky Masterman: My agent Helen Heller, who is based in Toronto, told me of a Canadian case that had haunted her for many years about two children being taken from their home and their bodies never found. That began to haunt me too. What if, I thought, you were convicted of killing your children but were innocent? Waiting on death row wondering if they’re somehow still alive and you can’t get to them and help them?
We asked Shawn Hitchins five questions about the vulnerability of his work and what he’s been reading. A Brief History of Oversharing will be launched through Toronto Lit Up on Saturday, September 16th and it’s free to attend!
We asked Jean Pendziwol five questions about her new international bestseller, The Lightkeeper’s Daughter, and how music played a role in writing the book. You can find her at IFOA 2017, and IFOA Thunder Bay on October 30th.
By Ayesha Chatterjee
People often ask me if my new collection, Bottles and Bones, has a theme running through it, and I was surprised the first time I found myself saying that it does. I usually have the attention span of a fruit fly and can’t stick to a topic for longer than three poems (if you read my poems, you’ll see how very short they generally are, so that should give you an indication). But a few years ago, I stumbled across a term used in perfumery, fougère, which is a class of fragrances and is also French for ‘fern’. Think Drakkar Noir or Brut. Think oakmoss (a species of lichen. It’s all right, I had to look it up too) and sharp and spicy. But also soundless and green and soft and new. I was hooked.