Anakana Schofield, author of Martin John and an upcoming IFOA participant, answered our five questions!
IFOA: Your anticipated second novel, Martin John, expands on a character from your first novel, Malarky. Why did you decide to delve deeper into the character of Beirut?
Anakana Schofield: A conflation of circumstances led to this. The first was the cheeky insertion for pure devilment of a single footnote in Malarky that read “See Martin John – a footnote novel” not knowing whether or not I’d ever actually write that novel. I had material that I’d chucked out of Malarky, which initially was a parallel narrative of two mothers and sons.
Then came an urgency to respond to the plethora of reports of clerical sexual abuse during recent years, which I felt left me with no choice but to address some aspect of deviancy, somehow, in fiction.
I guess in both examples “response” was the impetus.
In Malarky, the Beirut/Martin John we met is an endearing man. In Martin John, Martin John has become something other. He departed or reversed (since we met him older in Malarky) very far from where we started with him.
IFOA: In addition to fiction, you also write essays and literary criticism. How are these different forms of writing connected?
Schofield: I’m a reader before I am a writer. My thinking on literature and reading towards what it is I want to write are very much informed by reading and writing criticism. I’m also over interested in very random topics, so essays and the blogs, which I pen for the London Review of Books, help me explore these curiosities. I’m fortunate to have editors who encourage and support my rambles.
IFOA: Your website lists reading, the weather, bird flu and labour history as some of your preoccupations. How do these interests inspire your writing?
Schofield: I suppose they are four quarters of a whole. Basically I have a hearty appetite for what most would consider entirely redundant information. There’s very little that I’m not curious about.
IFOA: If you could meet any author, living or dead, whom would it be?
Schofield: I think Rosa Luxemburg. I would like to discuss her cold baths, high consumption of milk and fury with that printer in Paris described in her letters. Then we’d progress to the spindle statistics in Poland and she could educate me on Marxist matters. But mostly it’s the milk that intrigues me. Nietzsche went heavy on the milk. I haven’t checked, but did they both have bad acne?
I think one should be careful of meeting one’s heroes; they may disappoint and sadly are not the only person who ever understood you. They can be tired, short tempered and bad mannered. Apart from the ones who are lovely. All are best met on the page methinks.
For example, if I met Beckett, we would sit next to each other beside a coal shed on uncomfortable chairs and discuss the weather and possibly sigh a great deal. Essentially I don’t need to meet him because I’m perpetually sighing a great deal and have seen plenty coal sheds. Also he’d smoke, which would make me cough, then he’d offer me whiskey and my left kidney wouldn’t like that. It could be very awkward for us.
IFOA: What is the best compliment a reader can give you about your work?
Schofield: To read it or attempt to read it or to read widely. I’ve a few favourite readers: one wrote me a lovely email that said she was going for a walk to think about Our Woman. Another is Bill in Ohio and he took to Google Maps and did all kinds of additional research to understand Malarky. I also rather enjoy the very angry man who wrote invoking the mafia, hookers and my mother in one line. I’m quite acquainted with some of my readers through social media and they are splendidly intelligent, jovial and patiently answer my random queries on things like bad foot pain and weather reports.
Anakana Schofield won the Amazon.ca First Novel Award and the Debut-Litzer Prize for Fiction in 2013 for her debut novel, Malarky, which was named on 16 Best Books of 2012 lists. She has lived in London and Dublin and presently resides in Vancouver. Schofield has contributed criticism and essays to the London Review of Books Blog, The Guardian,The Irish Times and The Globe and Mail. She presents Martin John, a footnote novel to Malarky that expands on the storyline of a character nicknamed Beirut.