IFOA: Tell us a bit about your latest collection of poetry.
Jacob: Sure. Don’t be Interesting is a very loosely-thematic collection. When it does stoop to having a theme, though, it’s about the future: both the current future and all the historical examples of future, futures, and futurisms from about the beginning of the 20th Century onward. It’s also (more sneakily) a book about being a new parent.
IFOA: You’re a literary critic as well as a poet – do you find this makes you more critical of your own work, as well as the work of your peers?
Jacob: I don’t know if it makes me more critical. Being a critic and being “critical” in the contemporary sense of the term aren’t as closely entwined as the etymology would have it. I would say that it makes it easier for me to read my work as an other would. I think that’s the muscle most exercised by writing about writing: being able to move from how something reads to me to how it might have read to its author, and back. This is a good skill to work on for an author because it’s helpful to have that polyphony available to help you imagine how someone who doesn’t share your brain might process a work.
IFOA: How important is for you to curate the Pivot Reading series and host bi-weekly at the Steady in Toronto?
Jacob: I think everyone who wants to participate in the insider economy of public poetry, by publishing or reading published work, owes a debt to the community that helped grunt it into being. It is not enough to just gift the world your beautiful words and your great brain. Everyone should have to serve. How they do that is up to them: mentorship, reviewing, teaching, hosting, grant-writing, paid and unpaid work. But everyone should get out and push the bus up the hill a bit. And running Pivot is how I choose to push.
IFOA: Who are some of your favourite poets you can recommend to our readers?
Jacob: I’m going to stick close and pick newish Canadian poets with books out last year. I think Liz Howard’s Infinite Citizen of the Shaking Tent was great. I thought Eva H.D.’s Rotten Perfect Mouth was great too. Lucas Crawford’s Sideshow Concessions was a lot of fun. I’ll go off-theme and pick a non-debut collection I felt was wonderful too, in John Wall Barger’s The Book of Festus.
IFOA: What’s next for you?
Jacob: I’m going to go to sleep early and get up for work tomorrow. I’m reading through Robert Gordon’s The Rise and Fall of American Growth and Anna Lowenhaupt Tsing’s The Mushroom at the End of the World and those are keeping me busy. I started writing a novel in 2007, which is also the year the novel is set. Maybe one day I will finish it and it will be published as historical fiction.