IFOA buzz!

The Festival starts tomorrow and everyone’s talking about it! In case you’ve missed the buzz (but how could you have?) here are some recent highlights:

Quill & Quire staff put together a thoughtful list of event recommendations. These people know what they’re talking about.

On Saturday the Toronto Star had a great spread on science, speculative fiction and fantasy at IFOA, including some event highlights.

Becky Toyne shared her IFOA lessons learned in a how-to over at Open Book: Toronto (plus staff picks!).

And CBC Books brings us the low-down on IFOA authors’ book picks, including what Miriam Toews is reading.

And that’s just a sampling! For more information about the Festival, visit readings.org.

One more sleep!
-NB

Five Questions with…Emily Schultz

Emily Schultz, author of The Blondes, will participate in a round table discussion on October 23 and a reading October 25.

© Brian Joseph Davis

IFOA: Who are you most looking forward to seeing at the Festival?

Schultz: Too many to list, but as  I lived in Toronto for quite a few years I’m looking forward to catching up with friends and local writers who I miss.

IFOA: You’re the co-founder of Joyland. What’s one thing you’ve learned from your contributors lately?

Schultz: Short fiction has different laws from novel writing but maybe something I’m reminded of all the time is don’t waste that first sentence. It’s the one free moment the reader gives you. Everything after has to be earned.

IFOA: In The Blondes, women with blonde hair turn into zombies—even if they have a dye job. We hear you’ve dyed your hair blonde in the past. Did you like being a blonde?

Schultz: I think what I learned, and what I tried to to put into the novel, was that small things divide women during our day to day lives—hair, culture, class, age—but more important issues will always unite us.

IFOA: If you weren’t a writer, what would you be doing?

Schultz: Well I’m working on a TV pilot right now and that feels like a vacation from novel writing. I guess I have no escape from writing.

IFOA: Finish this sentence: I wish I could…

Schultz: Zero-out my Visa balance once in my life.

IFOA: Bonus question: International Festival of Authors in one word:

Schultz: Opulent. (An adjective that most writers never get to experience, so thank you IFOA!)

Click here for more about Schultz and The Blondes.

Tweet to win an @IFOA Golden Ticket!

Tomorrow until midnight!

Celebrate IFOA by tweeting your best IFOA photo. It could be a picture of one of our IFOA authors, you reading your favourite IFOA ’33 book, or something else—the more creative, the better. Tweet your photos throughout the day on Tuesday, October 16 for a chance to win the ultimate IFOA Golden Ticket—2 tickets to any single IFOA event (excluding the PEN Benefit) and an invitation to our exclusive Welcome Party where you can rub elbows with some of this year’s participants.

Be sure to hashtag your tweets on Tuesday and throughout the Festival using #IFOA. Follow us @IFOA.

Don’t have Twitter? Send us your photo via email to ifoamedia@harbourfrontcentre.com.

For more information click here.

Five Questions with… Linda Spalding

Linda Spalding, author of the Rogers Writers’ Trust Fiction Prize and Governor General’s Award-nominated novel The Purchase, will participate in several IFOA events.

© Michael Ondaatje

IFOA: Who are you most looking forward to seeing at the Festival?

Spalding: I’m keen to hear Michael Chabon read. He’s a friend of mine and I like his work but have never heard him read. Ditto Louise Erdrich. It’s all going to be fantastic.

IFOA: When and where do you prefer to read?

Spalding: To myself? I love to read myself to sleep, but then that’s just what it is! The best reading time for me is in the morning, sitting up straight with all the attention I can muster and a cup of coffee in hand.

IFOA: The Purchase is inspired by stories of your own ancestors. What made you decide to write about them now?

Spalding: I’ve been working on this book for several years and thinking about it longer than that. Ideas fester like wounds and then they either heal or require amputation. This one healed.

IFOA: You write both fiction and non-fiction, and The Purchase is a bit of a blend of both. What genre will you be working in next, and why?

Spalding: I’ll start another novel one of these days, but it may be slightly interrupted if Maryann Acker gets out of prison. When that happens, I’d like to do a little reprise of her story.

IFOA:  Finish this sentence: I can’t write unless I….

Spalding: But I can! When I was a girl I made myself write with my eyes closed on the city bus. It has served me well.

IFOA: Bonus question: International Festival of Authors in one word:

Spalding: Interconnectedness.

Choose Your Poison

By Michael Robotham

© Stefan Erhard – Literaturtest

To paraphrase a famous man from Alabama, writers’ festivals are a lot like a box of chocolates. You never know what you’re gonna get. This is true for audiences as well as writers. I’ve seen fist-fights, feuds, flirtations and assignations, but we writers have a code: what happens at the festival, stays at the festival.

In Australia there seems to be a new festival every weekend. There have always been the big ones like Sydney, Melbourne and Adelaide, but now there are new ones in Mudgee, Noosa, Bellingen, Albury and beyond. The same is happening in the UK, which has over 300 writers’ and readers’ festivals.

In the past whenever a village wanted to attract tourists it would set up a railway museum (even if the railway had never run within twenty-miles of the village). Nowadays, they organize a music or arts festival. I’m reminded of an episode of The Vicar of Dibley (BBC) where Dibley decides to hold a music festival and invites Reg Dwight, thinking they’re going to get Elton John, but instead get a guy called Reg Dwight.

The weirdest festival I’ve ever attended was Semana Negra in Gijon, Spain — an event that began almost 25 years ago as a crime-writing festival and has since grown into one of the largest cultural events in northern Spain. More than a million people attend over the 10-day festival of music, theatre, dance, funfair rides, rock concerts and the occasional literary talk thrown in. Most of the writers’ sessions don’t begin until 9 p.m. and run until after midnight, when everyone has dinner and crawls back to the hotel at about 3 a.m. I remember waking up at midday thinking I’d missed breakfast and having to wait two hours before anyone else surfaced.

The foreign language sessions are translated using interpreters and headphones. The set-up looked like something from the Nuremburg trials and attempts at humour were difficult because the punch-lines took an age to be relayed and didn’t arrive with the same panache. Norman Mailer had attended the festival several years earlier and was introduced and interviewed by two fanatical fans and students of his work. According to the story, they spoke for 45 minutes in introduction, trying to show the audience the breadth of their knowledge and appreciation of the great man’s work.

My experience was a little better. My Spanish translator introduced me and spoke for 25 minutes, giving away the complete plots of my first two crime novels.

“And then this happens…and then this…and you wouldn’t believe what happens next…”

Come question time, a member of audience demanded to know why I didn’t write about the plight of Australian aborigines. I pointed out that I wrote psychological thrillers set in the UK, but this answer didn’t satisfy her. She harangued me for so long that the rest of the audience began booing and hissing (her, not me).

I’m not expecting any similar problems in Toronto. The IFOA has proved itself to be one of the finest festivals in the world and I jumped at the chance at the chance to return. I’m already marking the schedule, working out what authors I want to see and hear. Now if I can just get out of doing my readings, I’ll have even more time for the others.

Cheers,
Michael

Robotham’s latest book, Say You’re Sorry, was published by Little, Brown UK, on October 2, 2012. Come see him at IFOA on October 20 and 23. For more about Robotham, visit his website michaelrobotham.com.

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