Kevin Hardcastle discusses subverting the idea of poor communities in his work and what (and who) influences him in our Five Questions series. Hardcastle will be participating in IFOA Weekly’s ‘What’s Life Got To Do With It?’ panel discussion on Wednesday, March 7th at 7:30 pm.
IFOA: You’ve written short stories in the past. What was it like completing your first novel and then having that published?
Kevin Hardcastle: It happened kind of backwards, because I’d actually written the novel before most of the stories that I published, those that ended up in my collection, Debris. I kept rewriting and working on the novel while I was improving my skills with my short story work, and eventually got it to where it is now. In those rewrites, I tried to use all of the tools I’d sharpened while writing short fiction, and bring them to bear on the novel.
There is a difference in the way that novels are received though, and the attention they’re likely to get, and I’ve noticed that as I’ve gone through the process. It’s not on the NYT bestseller list, by any means, but the reach of a novel is plainly longer, for the most part. And, as a result, the work you have to do to support the book is much more involved.
Debut author Emma Dibdin shares her thoughts on suspense writing and more in our Five Questions Interview about her new novel The Room By The Lake. Dibdin will take the stage at our next IFOA Weekly event with fellow suspense writer Becky Masterman on Wednesday, November 15, 7:30 pm. at Harbourfront Centre. Andrew Pyper, Author of The Demonologist, will moderate the conversation.
IFOA: What can you tell us about The Room By The Lake?
Emma Dibdin: The Room By The Lake is about a young English woman, Caitlin, who’s just out of university and on the verge of a breakdown. Desperate to escape after years of being a caretaker to unstable parents, she spontaneously books a flight to New York, which feels like a place she can become truly lost. Once there, she falls hard for Jake, a charming and slightly damaged former soldier who whisks her away to meet his family at their idyllic lakeside house upstate. But his family isn’t what it seems.
We asked Becky Masterman five questions (and a bonus!) about what inspired A Twist of the Knife, how she got into writing crime novels, and how she approaches suspense. Masterman will be at an IFOA Weekly event with Emma Dibdin on Wednesday, November 15th. Andrew Pyper, Author of The Demonologist, will moderate the conversation.
IFOA: What inspired the story for A Twist of the Knife?
Becky Masterman: My agent Helen Heller, who is based in Toronto, told me of a Canadian case that had haunted her for many years about two children being taken from their home and their bodies never found. That began to haunt me too. What if, I thought, you were convicted of killing your children but were innocent? Waiting on death row wondering if they’re somehow still alive and you can’t get to them and help them?
We asked Spencer Gordon five questions about what inspired Cruise Missile Liberals and what he’s been reading. Gordon’s new book of poetry will be launched through Toronto Lit Up on Thursday, November 9th and it’s free to attend!
IFOA: Cruise Missile Liberals has been described as turning exhaustion and “the rant” into art. What led to the creation of the collection? What was the spark?
Spencer Gordon: Ian Williams supplied that original quotation, by the way! All hail Ian.
Since this is a first collection, the spark must be traced back to my earliest, most disturbing doodles and incoherent attempts at communication—all as a fancy little boy who just wanted a dang treat! But the literal spark for this book, this physical artifact you’re obviously holding in your hands, caressing, was Amber McMillan, who works for Nightwood Editions, and who asked me if I had a full-length manuscript. To my shock, I did.
We asked Nicholas Power five questions about how travel and music play a role in his new collection, Melancholy Scientist. You can find him at IFOA 2017.