We asked Sanchari Sur five questions about writing as we gear up for the launch of The Unpublished City collection on June 22.
Sanchari Sur: I am not quite sure. I have tried to give up writing for a long time, convinced it was only this idea of grandeur that I was allowing myself to believe in. There is a certain bit of je ne sais quoi that accompanies the idea of being a writer.
But the stories wouldn’t stop coming, and writing was the only recourse.
IFOA: What are some of the themes that you explore in your writing? Why?
Sur: Again, I do not choose the stories (and by extension, the themes). However, I suppose some themes haunt my narratives like familiar ghostly encounters.
I am most interested in the idea of gender and sexuality as malleable concepts. The binary of masculinity and femininity is frankly quite boring, and slightly clichéd. Another theme that crops up a lot is the idea of negotiation of different parts of one’s identity such as race, class, age, caste, (dis)ability and so on; that is, navigating one’s spectrum of privileges and the lack thereof.
IFOA: What are some of the genres you explore in your work?
Sur: I started out writing poetry and genre fiction (mostly, horror), but it is literary fiction that I have gravitated towards time and again. Currently, apart from my academic work, it is writing short literary fiction that consumes my writing hours.
IFOA: Who is your favourite author, poet or writer?
Sur: The book that started it all was The God of Small Things. So, in that sense, I will forever be indebted to Arundhati Roy for turning me into a lit fic enthusiast. Reading her book (several times since I was fourteen) made/makes me think: if only I could write an ounce of what she has written…
IFOA: What inspires you?
Sur: Random things. Some of my stories are based on very real experiences and some are just by-products of the theory I have been reading for school at the moment. And some are based on news items I come across on CTV when I am doing my thirty minutes of cardio at the gym.
Mostly however, it is usually an image, or a scene, or even a feeling (or, as Sara Ahmed would say, an “affect”) that sticks to me, and haunts me for days until I give in and try to figure it out through writing.
Sanchari Sur is a feminist/anti-racist/sex-positive/genderqueer Canadian who was born in Calcutta, India. A doctoral student of Canlit at Wilfrid Laurier University and a curator of Balderdash Reading Series, her work has been published in Jaggery, The Feminist Wire, and Matrix.
Sur is one of the authors featured in The Unpublished City: a collection of works by Toronto’s emerging literary talents. IFOA and BookThug invite you to the collection’s release on June 22 at 7:30 PM as part of the Toronto Lit Up book launch series.
For more information, click here!