Five Questions with… Linda Spalding

Linda Spalding, author of the Rogers Writers’ Trust Fiction Prize and Governor General’s Award-nominated novel The Purchase, will participate in several IFOA events.

© Michael Ondaatje

IFOA: Who are you most looking forward to seeing at the Festival?

Spalding: I’m keen to hear Michael Chabon read. He’s a friend of mine and I like his work but have never heard him read. Ditto Louise Erdrich. It’s all going to be fantastic.

IFOA: When and where do you prefer to read?

Spalding: To myself? I love to read myself to sleep, but then that’s just what it is! The best reading time for me is in the morning, sitting up straight with all the attention I can muster and a cup of coffee in hand.

IFOA: The Purchase is inspired by stories of your own ancestors. What made you decide to write about them now?

Spalding: I’ve been working on this book for several years and thinking about it longer than that. Ideas fester like wounds and then they either heal or require amputation. This one healed.

IFOA: You write both fiction and non-fiction, and The Purchase is a bit of a blend of both. What genre will you be working in next, and why?

Spalding: I’ll start another novel one of these days, but it may be slightly interrupted if Maryann Acker gets out of prison. When that happens, I’d like to do a little reprise of her story.

IFOA:  Finish this sentence: I can’t write unless I….

Spalding: But I can! When I was a girl I made myself write with my eyes closed on the city bus. It has served me well.

IFOA: Bonus question: International Festival of Authors in one word:

Spalding: Interconnectedness.